wasn't until the sound era and the 1930s that gangster racism thesis films truly became an entertaining, popular way to attract viewers to the theatres, who were interested in the lawlessness and violence on-screen. Note: The same stars were reunited in another Pre-Code quasi-gangster/comedy film, Lady Killer (1933) with Mae Clarke as Cagney's moll, and Cagney as the head of a New York crime ring who must relocate and hide out in Hollywood. Clitterhouse (1938), Robinson portrayed a brainy crime specialist who joined Rocks Valentine's gang (led by Humphrey Bogart) and soon was masterminding heists. Murnau Fritz Lang Robert Wiene's The Cabinet. Was considered the gangster studio par excellence, and the star- triumvirate of Warners' gangster cycle, all actors who established and defined their careers as tough-guys in this genre, included Edward. The pedophile-psychopath was identified as Hans Beckert (Peter Lorre) - his coat back was marked in chalk with the letter "M." He was caught hiding in an attic, and taken to a large abandoned brewery building to stand trial, where he was questioned.
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A police detective (Edward. Mabuse (1933) (aka Das Testament das. Writers dreamed up appropriate gangland jargon for the tales, such as "tommy guns" or "molls.". In the 1940s, a new type of crime thriller emerged, more dark and cynical - see the section on film-noir for further examples of crime films. The audience was then blamed for promoting the role of the gangster with its perverse fascination in the phenomenon of mob activity - and then challenged: "It is the ambition of the authors of 'The Public Enemy' to honestly depict an environment that exists today. Headline-grabbing situations, real-life gangsters, or crime reports have often been used in crime films. It wasn't the first gangster movie ever made, but it was the first significant gangster film that has survived.
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